[Crm-sig] [Frbr-crm] Tino Sehgal

martin martin at ics.forth.gr
Wed Dec 22 19:09:16 EET 2010


Dear Barbara,

Thank you for the comment. As far as I see, you would agree to regard the Work as
being of a kind of performance type. For museums and their cataloguing practice,
this is a revolutionary concept, I believe.

Best,

Martin

On 12/22/2010 3:19 PM, Tillett, Barbara wrote:
> Even basic FRBR-ER can model this.  Because there is no recording of such a performance, there is no manifestation that captured the performance(s), but we could still name/describe/identify the unrecorded work and any expressions (performances). There also clearly will be derivative (related) works about his work/expressions (performances) and descriptive/subject relationships to other resources(WEMI) that have his work/expressions as their topic, such as the Wikipedia article cited below. - bt
>
> Barbara B. Tillett, Ph.D.
> Chief, Policy&  Standards Division
> Library of Congress
> 101 Independence Ave., SE
> Washington, D.C. 20540-4260
> U.S.A.
> tel: +1 (202) 707-4714
> fax: +1 (202) 707-6629
> email: btil at loc.gov
>
>
>
> -----Original Message-----
> From: frbr-crm-bounces at ics.forth.gr [mailto:frbr-crm-bounces at ics.forth.gr] On Behalf Of martin
> Sent: Wednesday, December 22, 2010 3:19 AM
> To: crm-sig; FRBR Group
> Subject: [Frbr-crm] Tino Sehgal
>
> Dear All,
>
> This is an interesting modelling problem. Does anyone know what the  Guggenheim actually bought or licensed?
> http://en.wikipedia.org/wiki/Tino_Sehgal
>
> A nice exercise in intangible heritage, cf Nick Crofts talk in CIDOC 2010.
>
> I believe, FRBRoo and the Performance model can be a way to deal with that.
>
> Comments welcome
>
> Best,
>
> Martin


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